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Hamlet Font Family Download

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Based on a specimen of an obscure and uncredited old face called Kitterland, Hamlet is one of those curiosities hardly ever noticed in the world of modern fonts, the kind that infuses a variety of historic Blackletter and calligraphy traits in an otherwise Roman alphabet. Such typefaces, what few of them exist, are almost always classified by typophiles as traditional decorative Roman alphabets. We beg to differ. We think such hybrids are fascinating enough to deserve a classification of their own. And we think today’s aspiring letterers and type designers would benefit from paying special attention to this kind of hybrid alphabet, not only because it has much more hand than machine in it, but also because it is a prime example of how to succeed in mixing different lettering techniques into one self-contained and distinctly functional alphabet. More…

As in any efficient mixture of lettering methods, Hamlet ended up with characters that are uniquely its own, such as the cupped A, M, V, W and Y, the very luscious and inviting curves on the arms of E, F, L and T, both single- and double-story forms of the a, and the humblest, friendliest g and y ever. A dozen alternate characters are sprinkled throughout the character set, so check out the map for a few pleasant surprises.

We also made the Handtooled and Headstone styles because we thought these friendly forms were just crying out for such treatments. The Handtooled version turned out quite lovely, if we may say so ourselves, perhaps even better than the main font. The Headstone version is available as a free bonus to those who purchase the complete Hamlet package.

All Hamlet styles come with lining figures as well as old style ones. Hamlet comes in all popular font formats. The OpenType fonts contain push-button swapping alternates and figures, which come in handy in software programs that support this kind of thing.

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Cast is a subtle sans serif type family of six weights with great properties for professional typography. Open forms, strive for perfect curves and a modern and slightly technical touch are attributes of Cast. The weights from light to black are well graded and the 467 glyphs per style cover an extended range of Latin languages. Numbers of OpenType features allow different figure sets, fractions and much more. The manual kerning for every single weight represents the care and the quality of this font. An outstanding attribute of Cast is the performance in every size. More…

Cast had its beginning in 2007 during Dominique Kerber’s Typedesign study (CAS Typedesign) at the ZHdK in Zurich (Switzerland). After graduation, Dominique Kerber continued working on this project to complete this fully developed font in March 2011. The professional exchange with his former fellow student Alex Meier in a shared studio offered enrichment in this lengthy process.

The concept of Cast is to combine the optical and formal requirements to a type in small text with the ones for display or signage use. Are ink traps necessary for example? Do they look nice in big sizes? How does optimal legibility behave in varying dimensions? What technical opportunities are there? Cast gives its own (possible) answers to these and hopefully some other questions in typography.

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R.H. Middleton for Ludlow, circa 1956. Digitally engineered by Steve Jackaman.

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